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Spotlighting Remarkable Women and Girls

By Francisca Sinjae

Before it became a craving, it was already a craft.

Across Iran, Turkey, and parts of Central Asia, pistachio has long carried weight. Not just as an ingredient, but as a marker of care. Ground into pastes, folded into pastries, layered into desserts that were never rushed. The kind of flavour that sits quietly, but stays.

What has changed is not the pistachio. It is how it is being seen.

In places like Venchi, that understanding has been refined into something precise. Pistachio is not added. It is built around. In gelato, it holds its own without dilution. In chocolate, it is allowed depth. The result is not decoration, but structure.

That structure travels.

“Pistachio is not a flavour you impose,” says Massimiliano Alajmo. “It is one you allow to speak, otherwise it disappears.”

A chocolate bar picked up in Milan does not stay in Milan. It moves with people. Through airports, across cities, into other kitchens. What follows is replication. Then variation. Then expectation.

More recently, places like Fix Dessert Chocolatier have pushed it further, turning pistachio into something layered, textured, almost architectural. The kind of dessert you don’t just eat, but break into.

Now, it appears everywhere. Not because it is new, but because it holds.

And once you recognise it, you start to notice how often it was there all along.

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By Francisca Sinjae Before it became a craving, it was already a craft. Across Iran, Turkey, and parts of Central