Spotlighting Remarkable Women and Girls

Fertility, Motherhood, and the Raw Realities of Womanhood

Frida Kahlo is one of the most celebrated artists of the 20th century, known for her surreal, deeply personal paintings that often depict her physical and emotional pain. While her vibrant use of colour and bold self-portraits are instantly recognisable, Kahlo’s work is also a profound exploration of themes like fertility, motherhood, and womanhood. For many women today, particularly those grappling with issues around fertility, Kahlo’s art provides a powerful reflection of the complex, often painful experiences of being a woman.

Frida’s Struggle for Motherhood

Kahlo’s desire for motherhood and her struggle with fertility are central themes in much of her work. After a horrific bus accident in 1925, Kahlo suffered severe injuries that impacted her life. She longed to become a mother, but multiple miscarriages and medical complications left her unable to fulfil this dream.

One of the most poignant pieces that reflects her sorrow around fertility is Henry Ford Hospital (1932). In this raw, unflinching painting, Kahlo lies naked on a hospital bed after a miscarriage, with six symbols connected to her body by red, vein-like cords. These include a foetus, a snail (symbolising the agonizingly long time it took for Kahlo to get pregnant), a pelvic bone, and a machine—all signifying the emotional and physical trauma she endured. The desolate backdrop of an industrial city contrasts sharply with the intense intimacy of her personal suffering. Through this piece, Kahlo captures the isolation and heartbreak many women feel when faced with fertility struggles.

According to a study by the University of Copenhagen, around 10-15% of pregnancies end in miscarriage globally, making Kahlo’s depictions of her own loss resonate with millions of women today who have experienced similar grief.

Motherhood and the Female Body

In My Birth (1932), Kahlo paints herself emerging from her mother’s body during childbirth. What makes this piece particularly arresting is its dual narrative: it’s both a reflection on her own birth and a symbol of the mother-daughter relationship. At the time that Kahlo painted this work, her mother had just died so it seems reasonable to assume that the shrouded funerary figure is her mother while the baby is Kahlo herself.

However, Kahlo had also just lost her own child and has said that she is the covered mother figure. The Virgin of Sorrows at the head of the bed adds another layer, highlighting the pain and sacrifice tied to motherhood, both literal and metaphorical. Kahlo’s exploration of childbirth, reproductive loss, and the female body is still highly relevant today. As the conversation around fertility becomes more open, women are finding new ways to share their experiences of miscarriage, IVF treatments, and the pressures of becoming a mother. Kahlo’s work, created nearly a century ago, speaks directly to the complexities that women continue to navigate.

“My Birth” is a haunting painting in which both the birth giver and the birthed child seem dead. Hence, the picture is not used here.

The Duality of Womanhood: Strength and Vulnerability

Kahlo’s art is not just about her personal struggles with fertility and motherhood. It is a broader commentary on the duality of womanhood itself. Women, in her work, are shown as both fragile and indomitable, vulnerable and powerful.

In The Broken Column (1944), Kahlo paints herself split open, her spine replaced by a crumbling column. This image of a physically damaged yet mentally strong woman resonates with the idea that women, particularly those grappling with reproductive challenges, often endure profound physical pain while maintaining emotional resilience. Kahlo’s depiction of herself with tears streaming down her face but standing tall despite the destruction within her body encapsulates the lived experience of many women who face the silent, invisible burden of fertility struggles.

While the broken body might seem like a symbol of weakness, Kahlo’s gaze is direct, almost defiant. The image speaks to the strength required to endure the trials of womanhood, fertility, and beyond.

Feminism and the Unapologetic Expression of Womanhood

Frida Kahlo’s legacy also intertwines with the feminist movement, particularly in how she unapologetically expressed her womanhood. Her raw honesty in confronting the physical and emotional aspects of being a woman set her apart from her contemporaries. Rather than presenting an idealised or romanticised version of womanhood, Kahlo embraced the messiness, the pain, and the contradictions that come with it.

Her work challenges the male-dominated art world’s historical tendency to idealise the female form. Instead of passive muses, Kahlo’s female figures are active, conscious subjects of their own pain and pleasure. This unapologetic expression has influenced generations of women to own their bodies, their experiences, and their stories, especially those related to fertility and motherhood.

A Lasting Legacy for Women Today

According to research by the Museum of Modern Art, Frida Kahlo is now among the most exhibited female artists worldwide, reflecting how her feminist voice continues to resonate with modern audiences. Frida Kahlo’s body of work offers a raw, truthful lens on fertility, motherhood, and the lived experiences of women. Her portrayal of the female body as both a site of strength and suffering continues to inspire women facing their own reproductive challenges. Whether it’s her personal sorrow over miscarriages or her exploration of the mother-daughter bond, Kahlo’s art speaks to the complexities of womanhood in a way that is both deeply personal and universally relatable.

Kahlo’s fearless approach to her art makes her a timeless icon, especially for women navigating the emotional landscapes of fertility and motherhood today. Through her work, Kahlo continues to remind us of the beauty, strength, and power of the female experience, scars and all

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Raising Women Magazine Issue 54 – October 2026

“Because you’re a girl.”
Four little words that have spent generations doing an extraordinary amount of damage. Apparently, ambition, intelligence and audacity were once considered rather unladylike.
Fortunately, the girls featured in our 54th edition missed that memo.
As we celebrate the International Day of the Girl Child, we spotlight twelve remarkable girls rewriting the rules, while reminding ourselves that a girl should not need extraordinary achievements to deserve ordinary opportunities.
We also explore the expectations that complicate girlhood, the childhood wounds we carry into adulthood and, in my Find Her Light reflection, why the girl I once was might have a few lessons for the woman I have become.
Perhaps our greatest responsibility is not simply raising girls to conquer the world, but ensuring they never have to shrink themselves to belong in it.
Because you’re a girl?
What a wonderful reason to dream without limits.

Raising Women Magazine Issue 53 – September 2026

Apparently, saving the planet comes with a shopping list. Solar panels, electric cars, sustainable fashion and, preferably, a bank account that understands the assignment.

In Issue 53, our cover woman, Professor Joyashree Roy, challenges us to reconsider what sustainability really costs, who pays, and why the cheapest choices today may leave tomorrow’s generations with the bill.

But this issue is also about the invisible price tags attached to everyday life. From passport privilege and the cultural expectations of a “good woman” to motherhood, personal boundaries and the delicate art of enjoying life before finishing every task, we examine the systems shaping our choices.

We also celebrate women turning overlooked problems into extraordinary opportunities.

Perhaps progress begins when we stop asking only what things cost and start asking what they are worth.

A better world should not be a luxury reserved for those who can afford it.
Happy reading!

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Raising Women Magazine Issue 52 – September 2026

This issue asks a deceptively simple question: can we save the planet without making ordinary people pay the highest price?
Our cover star, Sascha Gabizon, brings that question sharply into focus, challenging us to think about climate action not only through carbon, but through fairness, access and gender. Because going green sounds wonderful until sustainability becomes something only the wealthy can afford.
Across these pages, we follow climate change into unexpected places. Into our wardrobes, our food, our cultural traditions and even the price of our morning coffee. We also continue our important First Daughters conversation, explore what women really mean when they speak about safety, and look at 111 Miss World contestants whose purpose projects remind us that beauty today carries increasingly bigger expectations.
This edition is ultimately about responsibility, but responsibility shared fairly.
Because saving our planet cannot become another luxury.
And perhaps the greenest future is one everyone can actually afford.

Raising Women Magazine Issue 051 – August 2026

Equal. Such a small word for such a complicated idea.

In this issue, we ask a question that feels almost impolite after decades of progress: women have more rights, education, income and influence than generations before us, but are we equal? We have travelled remarkably far, yet full global gender parity remains generations away. Apparently, equality is taking the scenic route.

Issue 51 looks beyond the equal sign to what equality actually feels like in women’s lives. We follow the money, the power and, importantly, the hours women still disproportionately spend caring. We also explore women’s old financial systems, workplace design, the soft life economy and the changing meaning of opportunity
.
Progress deserves celebration. But celebration should never make us complacent.

We have opened many doors.

Now we must ask what happens after women walk through them.

We are closer.

But are we there?
.

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Perhaps progress begins when we stop asking only what things cost and start asking what they are worth.

A better world should not be a luxury reserved for those who can afford it.
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Raising Women Magazine Issue 52 – September 2026

This issue asks a deceptively simple question: can we save the planet without making ordinary people pay the highest price?
Our cover star, Sascha Gabizon, brings that question sharply into focus, challenging us to think about climate action not only through carbon, but through fairness, access and gender. Because going green sounds wonderful until sustainability becomes something only the wealthy can afford.
Across these pages, we follow climate change into unexpected places. Into our wardrobes, our food, our cultural traditions and even the price of our morning coffee. We also continue our important First Daughters conversation, explore what women really mean when they speak about safety, and look at 111 Miss World contestants whose purpose projects remind us that beauty today carries increasingly bigger expectations.
This edition is ultimately about responsibility, but responsibility shared fairly.
Because saving our planet cannot become another luxury.
And perhaps the greenest future is one everyone can actually afford.

Raising Women Magazine Issue 051 – August 2026

Equal. Such a small word for such a complicated idea.

In this issue, we ask a question that feels almost impolite after decades of progress: women have more rights, education, income and influence than generations before us, but are we equal? We have travelled remarkably far, yet full global gender parity remains generations away. Apparently, equality is taking the scenic route.

Issue 51 looks beyond the equal sign to what equality actually feels like in women’s lives. We follow the money, the power and, importantly, the hours women still disproportionately spend caring. We also explore women’s old financial systems, workplace design, the soft life economy and the changing meaning of opportunity
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Progress deserves celebration. But celebration should never make us complacent.

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But are we there?
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