Spotlighting Remarkable Women and Girls

Easter Unwrapped: Faith, Media, and Why We Choose What We Watch

By Ifeoma Udu

Hey guys! So I don’t know if this was just my feed, but this Easter felt very… specific. Out of nowhere, my timeline was filled with The Chosen. Clips, edits, emotional scenes, especially around the crucifixion storyline. And alongside it, the usual resurfacing of The Passion of the Christ.

But this time, it felt more intense. More present.

And what made it interesting for me personally is that I had actually stopped watching The Chosen at season 3. I wasn’t even thinking about it. Then suddenly, my feed kept pushing it so much that I found myself going back to it.

Not because I planned to. Just… because it was everywhere.

Which made me pause a bit.

Because before now, we didn’t really have this version of Easter content dominance.

The Chosen didn’t always sit at the center of pop culture conversations like this, especially since the death and resurrection storyline hadn’t fully played out on the show before.

But now, with Jonathan Roumie’s portrayal of Jesus becoming more widely recognized, it feels like there’s been a shift. Not just in what exists, but in what gets seen.

It made me think about how much of what we “choose” to watch is actually influenced by timing, release cycles, and what platforms decide to push at certain moments.

Because yes, Easter creates the mood. But the algorithm… kind of shapes the experience.

So what you end up with is this interesting mix of intention and influence.

You’re already in a reflective space because of the season, and then the content that meets you there is highly specific, highly emotional, and very aligned with that mood.

And before you know it, everyone is watching the same thing. Or at least, it feels that way.

What’s interesting is that this isn’t entirely new, The Passion of the Christ has filled this role for years. But the way it reaches people now is different.

A film you had to intentionally seek out has been replaced, or at least supplemented, by a series that quietly finds you.

And that difference isn’t just cultural. It’s economic.

The Chosen was built outside the traditional studio system, funded directly by its audience through crowd-funding and sustained by community sharing.

It didn’t need a distributor to greenlight it or a cinema chain to carry it.

Its viewers became its market infrastructure. So when Easter arrives and the algorithm surfaces it, what’s actually happening is that a faith community’s investment, financial and emotional is paying out in real time. Sacred seasons have always shaped consumer behaviour, driving spikes in travel, food, and retail. But now they also activate entire content ecosystems that were built on, and continue to run on, collective belief. The intersection of faith and market forces isn’t new. What’s new is how directly one funds and distributes the other.

And that shift matters.

Because it suggests that moments like Easter are no longer shaped by tradition alone, but also by distribution. By what is available, what is circulating, and what is being pushed to the surface at just the right time.

I don’t think it’s accidental.

I think platforms are getting very good at meeting people in emotionally specific moments and feeding them content that fits. Not in a manipulative, heavy-handed way, but in a way that feels almost seamless. Natural, even.

And maybe that’s the interesting part.

That something as personal as a spiritual or reflective mood can now be quietly curated. Not forced, not chosen entirely on your own, but shaped somewhere in between.

For me, it turned into going back to a show I had forgotten about.

And I’m pretty sure I wasn’t the only one.

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Raising Women Magazine Issue 55 – October 2026

We spend a remarkable amount of time telling girls who they should become, often before they have finished discovering who they are. Apparently, growing up comes with a job description nobody remembers applying for.

In Issue 55, our cover girls, Isabel Idibia and Princess Sade Obaitan, remind us that famous surnames and royal titles may introduce you, but they should never define you.

From girls conquering oceans and swimming pools to conversations about beauty, culture and ambition, this edition examines the expectations we inherit and the courage required to question them.

In Find Her Light, I also reflect on the careers I might have pursued and why discovering another gift does not invalidate the life we have already built.

Perhaps that is the lesson running through these pages: identity is not a finished manuscript.

Every girl deserves the freedom to write her own story. And every woman deserves another chapter.

Raising Women Magazine Issue 54 – October 2026

“Because you’re a girl.”
Four little words that have spent generations doing an extraordinary amount of damage. Apparently, ambition, intelligence and audacity were once considered rather unladylike.
Fortunately, the girls featured in our 54th edition missed that memo.
As we celebrate the International Day of the Girl Child, we spotlight twelve remarkable girls rewriting the rules, while reminding ourselves that a girl should not need extraordinary achievements to deserve ordinary opportunities.
We also explore the expectations that complicate girlhood, the childhood wounds we carry into adulthood and, in my Find Her Light reflection, why the girl I once was might have a few lessons for the woman I have become.
Perhaps our greatest responsibility is not simply raising girls to conquer the world, but ensuring they never have to shrink themselves to belong in it.
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What a wonderful reason to dream without limits.

Raising Women Magazine Issue 53 – September 2026

Apparently, saving the planet comes with a shopping list. Solar panels, electric cars, sustainable fashion and, preferably, a bank account that understands the assignment.

In Issue 53, our cover woman, Professor Joyashree Roy, challenges us to reconsider what sustainability really costs, who pays, and why the cheapest choices today may leave tomorrow’s generations with the bill.

But this issue is also about the invisible price tags attached to everyday life. From passport privilege and the cultural expectations of a “good woman” to motherhood, personal boundaries and the delicate art of enjoying life before finishing every task, we examine the systems shaping our choices.

We also celebrate women turning overlooked problems into extraordinary opportunities.

Perhaps progress begins when we stop asking only what things cost and start asking what they are worth.

A better world should not be a luxury reserved for those who can afford it.
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Raising Women Magazine Issue 52 – September 2026

This issue asks a deceptively simple question: can we save the planet without making ordinary people pay the highest price?
Our cover star, Sascha Gabizon, brings that question sharply into focus, challenging us to think about climate action not only through carbon, but through fairness, access and gender. Because going green sounds wonderful until sustainability becomes something only the wealthy can afford.
Across these pages, we follow climate change into unexpected places. Into our wardrobes, our food, our cultural traditions and even the price of our morning coffee. We also continue our important First Daughters conversation, explore what women really mean when they speak about safety, and look at 111 Miss World contestants whose purpose projects remind us that beauty today carries increasingly bigger expectations.
This edition is ultimately about responsibility, but responsibility shared fairly.
Because saving our planet cannot become another luxury.
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We spend a remarkable amount of time telling girls who they should become, often before they have finished discovering who they are. Apparently, growing up comes with a job description nobody remembers applying for.

In Issue 55, our cover girls, Isabel Idibia and Princess Sade Obaitan, remind us that famous surnames and royal titles may introduce you, but they should never define you.

From girls conquering oceans and swimming pools to conversations about beauty, culture and ambition, this edition examines the expectations we inherit and the courage required to question them.

In Find Her Light, I also reflect on the careers I might have pursued and why discovering another gift does not invalidate the life we have already built.

Perhaps that is the lesson running through these pages: identity is not a finished manuscript.

Every girl deserves the freedom to write her own story. And every woman deserves another chapter.

Raising Women Magazine Issue 54 – October 2026

“Because you’re a girl.”
Four little words that have spent generations doing an extraordinary amount of damage. Apparently, ambition, intelligence and audacity were once considered rather unladylike.
Fortunately, the girls featured in our 54th edition missed that memo.
As we celebrate the International Day of the Girl Child, we spotlight twelve remarkable girls rewriting the rules, while reminding ourselves that a girl should not need extraordinary achievements to deserve ordinary opportunities.
We also explore the expectations that complicate girlhood, the childhood wounds we carry into adulthood and, in my Find Her Light reflection, why the girl I once was might have a few lessons for the woman I have become.
Perhaps our greatest responsibility is not simply raising girls to conquer the world, but ensuring they never have to shrink themselves to belong in it.
Because you’re a girl?
What a wonderful reason to dream without limits.

Raising Women Magazine Issue 53 – September 2026

Apparently, saving the planet comes with a shopping list. Solar panels, electric cars, sustainable fashion and, preferably, a bank account that understands the assignment.

In Issue 53, our cover woman, Professor Joyashree Roy, challenges us to reconsider what sustainability really costs, who pays, and why the cheapest choices today may leave tomorrow’s generations with the bill.

But this issue is also about the invisible price tags attached to everyday life. From passport privilege and the cultural expectations of a “good woman” to motherhood, personal boundaries and the delicate art of enjoying life before finishing every task, we examine the systems shaping our choices.

We also celebrate women turning overlooked problems into extraordinary opportunities.

Perhaps progress begins when we stop asking only what things cost and start asking what they are worth.

A better world should not be a luxury reserved for those who can afford it.
Happy reading!

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Raising Women Magazine Issue 52 – September 2026

This issue asks a deceptively simple question: can we save the planet without making ordinary people pay the highest price?
Our cover star, Sascha Gabizon, brings that question sharply into focus, challenging us to think about climate action not only through carbon, but through fairness, access and gender. Because going green sounds wonderful until sustainability becomes something only the wealthy can afford.
Across these pages, we follow climate change into unexpected places. Into our wardrobes, our food, our cultural traditions and even the price of our morning coffee. We also continue our important First Daughters conversation, explore what women really mean when they speak about safety, and look at 111 Miss World contestants whose purpose projects remind us that beauty today carries increasingly bigger expectations.
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